Amazon.co.uk Review
Adapted from Shakespeare's
Titus Andronicus, Julie Taymor's debut feature is a visionary, maverick work comparable more to
Apocalypse Now and
Fight Club than conventional cinema. Consequently, composer Elliot Goldenthal (who is also the director's husband) has delivered a wild, iconoclastic score that stands not only as his own best film work but also among the most genuinely innovative soundtracks in years.
Goldenthal is not new to Shakespeare, and his score compliments and expands on his approach to the ballet Othello. Titus opens with a massive, overwhelming Latin choral chant, "Victorius Titus", before accompanying the titular anti-hero's bloody rampage with everything from snarling, decadent 1930s-style big band jazz, to atmospheric electronics (including a track lifted from his A Time to Kill score), and, in "Pickled Heads", thrash metal. Essentially though, Titus is an epic orchestral score, building to the fatalistic intensity of the eight-minute "Finale" with exceptional power and imagination. Just as the film fuses images across the centuries, Goldenthal assimilates his past film work, including particular references to the agitated string motifs from Alien 3. Yet out of this pastiche something new emerges, something shocking, exhilarating, raw and bloody-boned. A challenge to other directors and composers to go to the edge and jump right over. --Gary S Dalkin